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Vinyasa Flow transitions and how to safely navigate them

Rag Doll Pose - Esther Ekhart

16 sep 2015 by Jennilee Toner

Safely navigate through some of the more common Vinyasa Flow transitions like knees down to Cobra or Chaturanga to Upward Facing Dog. 

In this article we will look at how to safely navigate through some of the more common Vinyasa Flow Transitions. Taking in consideration the many schools of thought the dialogue here is from a purely anatomical point of view. Due to inherent and/or accumulated differences in peoples bodies some of these transitions are not injurious for some yoga practitioners while for others they can be extremely injurious depending on given body, past injuries or trauma, and/or habitual patterns from work or play. Also, gravity and where the body is positioned accordingly is always a factor to consider for many of these transitions.

1 Rolling up from Rag Doll to Mountain Pose

Recently there has been quite the debate over whether or not we are allowed to rollup from Rag Doll. The main reason to not roll-up is the natural curve of the lower 5 lumbar vertebrae is concave, never convex (unlike the thoracic and sacral regions of the spine), and therefore rounding up is literally not possible. This said, we humans have been “rounding” our torsos with our abdominal muscles for a very long time. Yogis round their torsos quite safely in postures such as Head-to-Knee, Rabbit, Plough and Star.

Rag DollRag DollIt is the transition FROM the rounding that can be possible injurious due to intervertebral disc issues, weak erector spinae muscles, weak quadratus lumborum muscles (often in conjunction with tight PSOAS muscles), weak abdominal muscles and improper technique.

If rounding up is something you want to practice remember that because gravity wants to pull you down and you are working your muscles to react against gravity, you must soften your knees to release tension in both hamstrings and lower back and tuck tailbone slightly (engaging the necessary support of the lower abdominal muscles) before rounding up. If you have the above mentioned weak muscles you can always place hands on thighs for support as you engage front and back torso muscles to “roll up” to standing OR soften knees, place hands to hips and, using the strength of your back extensors, unhinge at hips to arrive in Mountain pose (choosing not to roll up/round up at all).

2 Knees Down to Cobra OR Chaturanga to Upward Facing Dog

One of the most common transitions we practice in vinyasa flow yoga is Chaturanga Dandasana to Upward Facing Dog to Downward Facing Dog. If done properly it is quite the satisfying cleansing of the palette between standing and floor sequences. If done improperly it can lead to repetitive motion injury to shoulders, elbows, neck and lower back (see 5th article in injury prevention series Joint Integration: Preventing Yogic Injuries” for how to practice a “perfect” Chaturanga).

Chaturanga to Upward Facing Dog

It is important to hold your body like a rod in high plank, keep this form as you shift your body forward from this high plank and lower yourself down to hover in Chaturanga (not breaking the plane of your upper arms or ribcage) before gliding forward to Upward Facing Dog (knees or hips never touching the floor). If you are unable to do this then the safest transition in your Vinyasa flows is knees-down-lie-down for Cobra.

For the muscles, tendons, ligaments and bursas of both the shoulder and elbow it can be injurious to hang your whole body weight on the shoulder and elbow joints while lowering from high plank to the floor.

Why?

For the muscles, tendons, ligaments and bursas of both the shoulder and elbow it can be injurious to hang your whole body weight on the shoulder and elbow joints while lowering from high plank to the floor. There is less weight bearing/load bearing on elbows and shoulders if the knees are placed on the floor before lowering down. For the lower lumbar vertebrae it can be injurious to press up from the floor into a “pseudo” Upward Facing Dog (straight elbows) with knees and thighs on the floor (too much lower back compression).

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Rule of thumb: If your knees are touching the floor your elbows need to be bent (COBRA) and if your knees and hips are off floor your elbows can be straight (UPWARD FACING DOG). Think LENGTH of spine (especially in faster, more dynamic flows) versus deep compression of the spinous processes of vertebrae (back of neck as well as lower back). 

*There are advanced variations of Cobra that allow for straight arms. For the safety of the lower lumbar vertebrae it a good choice to save these deep backbends for the backbend portion of your practice where backbends are clustered and held for longer periods of time.

3 Closed Hip to Open Hip Postures

Another heated debate in the yoga world is the transition between closed hips postures (Warrior One, Warrior One lunge variations, Warrior Three, One-Legged Forward Fold, Revolved Triangle, Revolved Half Moon, Standing Split, etc) and open hip postures (Warrior Two, Warrior Two variations, Triangle, Half Moon, etc.).

There are many schools of thought that go directly from Warrior One into Warrior Two, directly from Warrior Three into Half Moon and/or Half Moon directly into Standing Split, and immediately from Triangle/Half Moon into Revolved Triangle/Revolved Half Moon.

Other schools prefer to cluster closed hips postures together into sequences that are separate from open hip posture sequences.

The most common example of closed hip to open hip is Warrior One to Warrior Two. 

Warrior one

Warrior One to Warrior Two

A few things to notice about these two postures:

- In addition to being squared to the front of the mat in Warrior One (even with the slight turnout of classical Warrior One) and hips opened to the side of the mat in Warrior Two, these two poses have different foot distances (shorter in Warrior One and longer in Warrior Two) as well as different orientations of the femur bone (Warrior One encourages internal rotation of back leg whereas Warrior Two is an external rotation of back leg).

- If we don’t move our feet in this transition the front knee will be too far forward of the heel putting unnecessary pressure on the patella and its tendon attachment on the tibia.

- What happens when we do move our feet between the two postures is that a “grinding” action can occur in the hip - especially if there is no lift of the body in the transition (Inhale lift out of Warrior One and then exhale open up and lower into Warrior Two).Warrior two

- Even when there is a lift there tends to be a wiggling of the back foot into proper Warrior Two distance and this can cause “grinding” in the hip socket and in the ankle joint as well as a weight bearing rotation of the back lower leg bones (tibia and fibula) which is not conducive to the health of the knee joint. Repetitive motion injury known as hip impingement can be an injurious result (wearing away of the cartilage that surrounds the “ball” (femoral head of the femur), wearing away of the lining of the “socket” (acetabulum in the ilium), and damage/tearing of the labrum, the cartilaginous lining of the rim of the hip socket).

The same grinding can happen in the transition between Warrior Three & Balancing Half Moon and between Balancing Half Moon & Standing Split - mostly because of gravity and the weight of the body bearing down on top of the femoral head. As before, these transitions can be made safer by either lifting the leg up before turning OR better yet, putting one or two hands on blocks to transfer/disperse the weight from solely being on one leg into either one leg/one hand or one leg/two hands.

Sacral-iliac join issues

In addition to hip impingement, in the transition from Triangle to Revolved Triangle and Balancing Half Moon into Revolved Half Moon we often see Sacral-Iliac joint issues. SI joint injuries usually occur in this instance when there is not a stabilizing moment between the two postures (Triangle to One-Legged-Forward Fold (pause to stabilize SI joint) to Revolved Triangle OR Balancing Half Moon to Warrior Three (pause to stabilize) to Revolved Half Moon). The pause (needed also in between all twisting poses) allows the Sacrum to stabilize itself into the Ilium AND follow the spine into the twist.

"there is the unnecessary risk of injury to the sacroiliac joint if the sacrum chooses to follow the movement of the spine rather than stay connected to the ilium." - Bone Alignment - Preventing Yogic Injuries 

Remember though the inner workings of the hips...even with these stabilizing pauses in between postures you can still cause hip impingement.

4 Backward Bends to Forward Bends

The last transition to be discussed in this article is that of backward bending postures into forward bending postures. Previously mentioned was the need for length in the spine versus depth in the spine during the faster, more dynamic flow portion of the practice where there is much forward bending immediately followed by much back bending. Later in your practice, after the body is heated and all the systems (cardiac, respiratory, lymphatic, etc) are effectively challenged by the yang portion of your practice, in order for muscles to sufficiently stretch, poses are held longer in the yin portion. Now it is time to cluster the backbends (bridge, wheel, bow, camel, full pigeon) in order to go deep into the body and release tension, pause & stabilize the spine, and then cluster the forward bends to go just as deep.

Possible injuries if the spine is not neutralized between backward bending postures and forward bending postures occurs at a deeper level as well....

Possible injuries if the spine is not neutralized between backward bending postures and forward bending postures occurs at a deeper level as well...intervertebral discs. In between each and every bone of the spinal column is a shock absorber - a fibrous ring surrounding a gel-like cushiony center. In addition to being a shock absorber this disc of fibrocartilage acts like a ligament helping to keep the bones of the spine attached.

Transition from Forward Fold, to Down Dog to Cobra Pose - Forward bend to BackbendWhen you practice longer holds in deeper backbends you are essentially opening the anterior portion of your spinal column as you compress the posterior portion of the spinal column. The discs are also being compressed in the posterior portion but luckily space is being created for the discs in the anterior portion (and there is a ligament the runs the length of the anterior portion of the spinal column that prevents any protrusion (bulging) of discs). In order to allow for that same ratio of space to occur in the forward bends a neutralizing pause has to occur, otherwise the back extensor muscles that became active (the muscle fibers that shortened) in order to support the backward bending of the spine will not have sufficient time to relax and create the space needed for the posterior portion of the discs once anterior portion is compressed. This is especially true for the discs between T12-L1 and L5-S1 where the concave and convex curves of the spine transition.

Ways to stabilize the spine

Ways to stabilize the spine between back bending and forward bending can be

  • Feet on the floor and bent knees knocked in
  • Supine Bound Angle or Happy Baby after Full Wheel
  • Resting in a kneeling posture or Hero Pose after Camel
  • Resting in a prone Savasana after Floor Bow.

Hero Pose

It is not conducive to the health of the intervertebral discs to go directly into Child’s Pose after Camel/Floor Bow or go directly into hugging knees into chest after Full Wheel/Full Pigeon. Once the spine is neutralized (few or many breaths) then it is time to transition safely into the forward bending portion of your practice.

Many people ask me why I am so passionate about SAFE vinyasa flow yoga.....

For me, inhaling and exhaling my way through an intelligent and creative vinyasa yoga sequence is one of the most exhilarating, harmonizing and life affirming daily practices (next to hiking with my dogs, hugging trees, watching sunrises and sunsets, and of course, making the sweetest of love). My passion for safe vinyasa flow yoga shines through in my teaching because I am so excited for others to experience what I feel on the mat: incredible strength, suppleness and radiant health of my goddess body, immeasurable bliss emanating from my heart being infused into every single cell, and a mind so calm, clear, equanimous, and profoundly peaceful. Fact: if people get hurt practicing vinyasa flow yoga then they DON’T practice Vinyasa Flow yoga...and this makes me sad. This is why I am so passionate, this is why I travel the word promoting SAFE vinyasa flow yoga through anatomical knowledge of the human body. A lover of human bodies and a lover of vinyasa flow yoga - my hope is for the longevity of both.

Namaste, Jennilee 

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